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Bringing Heavy Metal to the Met’s Roof

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Mitchell-Innes & Nash is pleased to announce an installation of sculptures by Sir Anthony Caro in The Metropolitan Museum of Art’s Iris and B. Gerald Cantor Roof Garden, on view through October 30. This selection of works spans the artist’s career to date and will highlight his principle contributions to sculpture. The exhibition is on view in the Museum’s dramatic, nearly 8,000-square-foot open-air space offering unparalleled views of Central Park and the New York City skyline. Anthony Caro on the Roof will be the 14th consecutive single-artist installation on the Cantor Roof Garden.

Anthony Caro on the Roof is organized by Gary Tinterow, Engelhard Chairman, and Anne L. Strauss, Associate Curator, both of the Department of Nineteenth-Century, Modern, and Contemporary Art at The Metropolitan Museum of Art.

More information can be found at www.metmuseum.org.

Anthony Caro is represented in the United States by Mitchell-Innes & Nash.


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untitled, from the series Best Before, 2004/2005 lambda c-print, 100x135 cm

untitled composition, 2010 Durst Lambda print from film negative

Born 1977 in Prague, Czech Republic, Thýn is a member of the newest generation of young contemporary artists in Prague. He graduated fromthe Department of Photography under Prof. Pavel Stecha at the Prague Adademy of Applied Arts in 2006, with one year abroad studying at UIAHin Helsinki. He is a member of the artist group Ladvi (with Jan Haubelt and Adela Svobodova), established in 2005. He has had solo exhibitions at the Josef Sudek Gallery and the French Institute in Prague and has participated in group exhibitions at the Well Gallery in London, Kolonie Wedding in Berlin and Prague Biennale 3, Entrance Gallery, AM180 and Jeleni Gallery in Prague, among many others.

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Starting in 2011, the Robert Sterling Clark Foundation will offer five residency fellowships to African artists at the Vermont Studio Center.  Five fellowships for South American artists will be offered in 2012.  Each fellow will receive a two-month residency at the Vermont Studio Center, which will include room and board, a private studio, round-trip travel and a cultural trip to New York City with Triangle Arts Association.

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Central de Proyectos is proud to present the work of Sofia Quirno in an exhibition titled “Saltando Baldosas”.
The exhibition will run from November 12 through December 31, 2010.

Central de Proyectos is located in the Recoleta neighborhood of Buenos Aires City. The work of the gallery focuses on contemporary art management, it is intended as a comprehensive project, where the sale of works of art, is accompanied by interest in regaining the role of the gallery as a promoter, as an accomplice of the artistic process.
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Mile End Park, pencil on paper, 150 x 300 cm, 2006 (Collection: National Gallery of Canada Ottawa, Canada)

Schillerpromenade, detail study for the big drawing, pencil on paper, 91.3 x 133.7 cm, 2008 (Collection: Kunsthalle Emden, Germany)

Schillerpromenade, detail of the detail study

Pia Linz is sitting in an acrylic glass polyhedron in the backyard of Schillerpromenade 32, working on the drawing for the box engraving

Box Engraving: Schillerpromenade 32/ backyard, engraving on acrylic glass, etching ink, 152 x152 x 152 cm, 2009


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Hamra Abbas’ works draws upon widely accepted traditions, often in a playful manner. By appropriating culturally loaded imagery and iconography, and transforming them into new works that can be experienced spatially and temporally, she creates new platforms from which to view notions of cultural ownership, tradition, exchange and power. Hamra Abbas was awarded a Jury prize at the Sharjah Biennial 9: Provisions for the Future. Her work is included in Aluminium, 4th International Biennial of Contemporary Art, Baku, Azerbaijan, the International Artist’s Workshop of the 2nd Thessaloniki Biennial and the 2nd International Incheon Women Artists Biennale, Korea (2009). Her work was included in the Guangzou Triennial (2008), the 10th Istanbul Biennial (2007), the Biennale of Sydney (2006), and the Cetinje Biennial, (2004). Abbas’ work has been exhibited at V&A Museum, London, ARTIUM de Álava, Vitoria-Gasteiz, Spain, ifa Gallery, Berlin; and the Manchester Art Gallery, UK.  Her work Read is currently at display at the Royal Ontario Museum, Toronto. She is also part of the exhibition Hanging Fire at Asia Society Museum, New York; and Everyday Miracles (Extended) at Walter and McBean Galleries, San Francisco Art Institute and at REDCAT, LA.  She has been awarded residencies and scholarships by institutions such as Vermont Studio Center, the Triangle Arts Trust, VASL and DAAD. Hamra received her BFA and MA in Visual Arts at the National College of Arts, Lahore before going on to the Universitaet der Kuenste in Berlin in 2004 where she received the Meisterschueler. Hamra Abbas lives and works between Boston and Islamabad.
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We welcome our 2010 workshop artists to Brooklyn and look forward to another workshop in our 28th year.

Line Wasner

Echo H Eggebrecht

Santiago Borja

Matthew Ager

Christine Laquet

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This fall, acclaimed contemporary artist Jitish Kallat turns the landmark Art Institute Grand Staircase into a meditation on religious tolerance, drawing on the museum’s own history in concert with the most devastating terrorist attack on American soil. Public Notice 3 , a site-specific installation, brings together two key historical moments: the first Parliament of the World’s Religions, opening on September 11, 1893, in what is now the museum’s Fullerton Hall, and the terrorist attacks on the World Trade Center and the Pentagon 108 years later, on that very date. Public Notice 3–the first major presentation of Kallat’s work in an American museum–will be on view September 11, 2010 through January 2, 2011.
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